Con Campbell - Archive
Below is our complete archive of Con Campbell’s work. This archive is for information only and unfortunately the work is no longer available to buy. For the full listing of available works to buy browse our Con Campbell portfolio.
Con Campbell currently has 20 archived works
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Red Coat
Medium: Original Oil on Board
Size: 43cm x 38cm
Year: 2011
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Hunt Scene
Medium: Original Oil on Board
Size: 43cm x 38cm
Year: 2011
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Horse
Medium: Mixed Media
Size: 21cm x 26cm
Year: 2008
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Piebald In Water
Medium: Original Oil on Board
Size: 40cm x 25cm
Year: 2010
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The Hunt Is On
Medium: Original Oil on Board
Size: 37cm x 66cm
Year: 2010
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Master McGrath
Medium: Original Pencil on Paper
Size: 48cm x 55cm
Year: 2010
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Still Life
Medium: Mixed Media
Size: 29cm x 21cm
Year: 2010
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Steady Eddie
Medium: Original Oil on Canvas
Size: 36cm x 46cm
Year: 2010
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The First Turn
Medium: Original Oil on Canvas
Size: 50cm x 79cm
Year: 2010
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Mystic Jack
Medium: Original Oil on Board
Size: 55cm x 65cm
Year: 2010
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Jackson's Lad
Medium: Original Oil on Board
Size: 73cm x 33cm
Year: 2010
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The Hunt
Medium: Original Oil on Board
Size: 31cm x 25cm
Year: 2010
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Apple Jack
Medium: Original Oil on Board
Size: 48cm x 57cm
Year: 2009
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Storm
Medium: Original Watercolour on Paper
Size: 18cm x 23cm
Year: 2009
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Shy Foal
Medium: Original Watercolour on Paper
Size: 24cm x 16cm
Year: 2009
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Dolmen, Co. Clare
Medium: Original Oil on Paper
Size: 20cm x 28cm
Year: 1998
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Blue Lagoon
Medium: Original Oil on Board
Size: 62cm x 72cm
Year: 2009
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Little Still
Medium: Original Oil on Board
Size: 23cm x 19cm
Year: 2009
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Little Black Bull
Medium: Original Oil on Board
Size: 19cm x 22cm
Year: 2000
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Piccadilly
Medium: Original Oil on Canvas
Size: 52cm x 59cm
Year: 2009
Con Campbell’s Biography Born 1946
The artist was born in Gortin Bush, Co. Tyrone in 1946 but moved to Belfast as a young boy. Con Campbell's first major work was displayed in the Ulster Museum in 1972.
Con’s interest in painting grew steadily and his commission to paint street murals in the 80's showed his ability to adapt to a different medium. During the "troubles" he spent time painting images of the conflict through the eyes of children.Potent images of soldiers on patrol at night were included in his work, and although not his traditional style it showed his ability to embrace and reflect the human condition.
He returned again to his first love of painting animals, particularly horses, an interest which was heavily influenced by his family. He has travelled extensively throughout Ireland, studying the physiology and movement of horses.
